Someone mentioned Kubrick in connection with the Apollo landings and while checking out that idea I found this article.
This strange idea from Jay Weidner says that Kennedy’s secret goal in having us land on the moon was to force German UFO technology we’d acquired after the war out into the open.
Sounds far fetched, but I’m a big fan of hearing (but not believing without sufficient proof) all possibilities when there seem to be only two sides to an issue. In that spirit, here, for your entertainment, is an angle you may not have considered:
“There are great ideas, undiscovered breakthroughs available, to those who can remove one of truths protective layers” -Neil Armstrong, ‘First Man on the Moon’. July 20 th 1994
It has now been forty years since the fabled moon landings by NASA and the Apollo gang. When it comes to the subject of the moon landings, people tend to fall into two belief groups. The first group, by far the bigger of the two groups, accepts the fact that NASA successfully landed on the moon six times and that 12 human beings have actually walked on the surface of the moon. The second group, though far smaller, is more vocal about their beliefs. This group says that we never went to the moon and that the entire thing was faked.
This essay presents a third position on this issue. This third point of view falls somewhere between these two assertions. This third position postulates that humans did go to the moon but what we saw on TV and in photographs was completely faked.
Furthermore this third position reveals that the great filmmaker Stanley Kubrick is the genius who directed the hoaxed landings.
Soon after seeing the flying saucer technology, JFK made his famous speech asking NASA to land a man on the moon before the decade was out. Many insiders believed that this was a ploy by JFK to get NASA, and the secret government, to release their saucer technologies. Since it was obvious to everyone that standard rocket technology could not get man to the moon and back, JFK may have thought that NASA would be forced to release the knowledge of the technology behind the flying saucers in order to fulfill his vision and get to the moon by the end of the 1960’s. JFK’s ploy was therefore intended to free this advanced technology from the insidious hands of the shadow government.
After the assassination of Kennedy in 1963, NASA began a new plan that would solve the problem that JFK initiated. This new plan would allow NASA, and the shadow government, to keep the saucer technology secret and to still make it look like standard rocketry had taken man to the moon and back.
Someone high up in the shadow government decided to fake the entire moon landings in order to conceal the United States’ extremely new and advanced Nazi technology both from us, the citizens and our enemies.
In some ways NASA’s position on this was understandable. We were in the middle of the cold war with the Soviet Union. Did we really want to show the Russians what we had?…
In early 1964 Stanley Kubrick had just finished his black satire Dr Strangelove and was looking to do a science fiction film.
While directing Dr. Strangelove Kubrick had asked the US Air Force for permission to film one of their B-52 bombers for the movie. The Pentagon turned him down.
The movie, Dr. Strangelove, was about a flight squadron that had been ordered to fly to Russia and drop nuclear bombs on that country. The Pentagon read Kubrick’s script and rejected his request to actually film the inside, and outside, of a B-52.
The reason for this rejection was that Kubrick’s film was clearly a satire on the military and US nuclear policy. The Pentagon did not want to assist Kubrick in this satirical undertaking.
Undaunted by the rejection, Kubrick used various special effects to create the B-52 in flight. When viewing Dr. Strangelove today, these special effects look quaint and old fashioned, but in 1963 they looked very good. It is possible that someone in NASA saw what Kubrick had done in Dr. Strangelove and, admiring his artfulness, designated Kubrick as the person best qualified to direct the Apollo Moon landing. If he could do that well on a limited budget – what could he do on an unlimited budget?…
In the end, it looks like Stanley Kubrick faked the moon landings in return for two things. The first was a virtually unlimited budget to make his ultimate science fiction film: 2001: A Space Odyssey, and the second was that he would be able to make any film he wanted, with no oversight from anyone, for the rest of his life.
Except for his last film, Eyes Wide Shut, Kubrick got what he wanted. …
What is Front Screen Projection?
Kubrick did not invent the process but there is no doubt that he perfected it. Front Screen Projection is a cinematic device that allows scenes to be projected behind the actors so that it appears, in the camera, as if the actors are moving around on the set provided by the Front Screen Projection.
The process came into fruition when the 3M company invented a material called Scotchlite. This was a screen material that was made up of hundreds of thousands of tiny glass beads each about .4mm wide. These beads were highly reflective. In the Front Screen Projection process the Scotchlite screen would be placed at the back of the soundstage. The plane of the camera lens and the Scotchlite screen had to be exactly 90 degrees apart. A projector would project the scene onto the Scotchlite screen through a mirror and the light would go through a beam splitter, which would pass the light into the camera. An actor would stand in front of the Scotchlite screen and he would appear to be ‘inside’ the projection.
… Today Hollywood magicians use green screens and computers for special effects and so Front Screen Projection has gone the way of the Adding Machine and the Model T, but for its time, especially in the 1960’s, nothing worked better than Front Screen Projection for the realistic look that would be needed both for the ape-men scenes in 2001: A Space Odyssey and the faked Apollo landings.
In this still taken from an early scene in 2001 you can see the seams in the blue sky if you look closely.
…Next is the same image as above only I have processed it through a graphic program. In this processing I have increased the gamma and increased the contrast.
Now we can clearly see the ‘seams’ and the ‘stitching’ of the Scotchlite Front Projection screen in the sky.
To get the perspective correct one has to realize that the Scotchlite screen is right behind the rocky outcropping set, which was built on the soundstage.
The lines on the screen are the flaws in the Scotchlite screen. These flaws in the screen give the sky give a peculiar ‘geometry’ when the image is properly processed to reveal the Front Projection Scotchlite Screen.
To sum it up, the idea is that Kubrick in making 2001 used this technique. The part in front of the white photoshopped line is in the studio, and the part behind the line is a backdrop which could be real footage, a painting, a model, or whatever.
And next, the story shows where the line supposedly is in the Apollo footage Kubrick supposedly created:
That astronaut is driving the lunar rover parallel to the screen and the rover is only three or four feet away from the Scotchlite. Please note how the tire treads just lead to nowhere. Actually they are going to the edge of the set.
via Jay Weidner.
Perhaps we went to the moon, but used the secret UFO technology to get there. Or… perhaps this entire story is itself disinformation to get foreign governments to believe we have secret UFO technology.
Will we ever know for sure, or will we always wonder?