Ancient Buddhist Paintings From Bamiyan Were Made Of Oil, Hundreds Of Years Before Technique Was ‘Invented’ In Europe

By | April 25, 2008

The world was in shock when in 2001 the Talibans destroyed two ancient colossal Buddha statues in the Afghan region of Bamiyan. Behind those statues, there are caves decorated with precious paintings from 5th to 9th century A.D. The caves also suffered from Taliban destruction, as well as from a severe natural environment, but today they have become the source of a major discovery. Scientists have proved, thanks to experiments performed at the European Synchrotron Radiation Facility (ESRF), that the paintings were made of oil, hundreds of years before the technique was “invented” in Europe.

In many European history and art books, oil painting is said to have started in the 15th century in Europe. But scientists from the National Research Institute for Cultural Properties in Tokyo (Japan), the Centre of Research and Restoration of the French Museums-CNRS (France), the Getty Conservation Institute (United States) and the ESRF have recently identified drying oils in some of the samples they studied from the Bamiyan caves. Painted in the mid-7th century A.D., the murals show scenes with Buddhas in vermilion robes sitting cross-legged amid palm leaves and mythical creatures. The scientists discovered that 12 out of the 50 caves were painted with oil painting technique, using perhaps walnut and poppy seed drying oils.

A combination of synchrotron techniques such as infrared micro-spectroscopy, micro X-ray fluorescence, micro X-ray absorption spectroscopy or micro X-ray diffraction was crucial for the outcome of the work. “On one hand, the paintings are arranged as superposition of multiple layers, which can be very thin. The micrometric beam provided by synchrotron sources was hence essential to analyze separately each of these layers. On the other hand, these paintings are made with inorganic pigments mixed in organic binders, so we needed different techniques to get the full picture” Marine Cotte, a research scientist at CNRS and an ESRF scientific collaborator explains. – sd

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